Mourning Machine is a low-stakes participatory ritual designed to honor the history and resilience of the NYC theater community/ies during a time of uncertainty and reconfiguration. This event is part of an ongoing research and performance project about the “practice” of mourning-in-community, as a strategy for healing from the harmful aspects of our profit-driven culture. The event includes conversations and a reception.
Edge Effect is a “think and do tank” that creates participatory experiences for individuals to share knowledge across personal, cultural, and disciplinary boundaries. Co-founded by dramaturg Jess Applebaum and director/scenographer Nic Benacerraf, EE’s process is deeply rooted in the edge-blurring practices of devised theater. Each project unites a polydisciplinary community to study a transcendent issue of our time, who then creates original multimedia performances for new communities to deepen the investigation.
*This project is made possible in part with funds from Creative Engagement, a regrant program funded by DCLA, NYSCA, and the Howard Gilman Foundation, and administered by LMCC.
You Might Also Like
Reclaiming the Narrative: The MENA Theatre Artists’ Bill of Rights
By Marina Johnson, Nabra Nelson. A decade after landmark convenings, Nabra and Marina revisit the “Middle Eastern American Theatre Artists’...
LOUD Queer Youth Theatre: Devising and Political Education in New Orleans
By Nicolas Shannon Savard, Roney Jones, Keyshia Pearl. Gender Euphoria: The Podcast returns for season three. Source link...
Investigating Vietnamese Diasporic Theatre through Mary Magdalene, Daughter, Boatperson
By . CHUANG Stage and Fresh Ink Theatre present a staged reading of new Vietnamese play, Mary Magdalene, Daughter, Boatperson, written by...
I Don't Know How He Directs, Teaches, Raises a Toddler, and Still Finds Time to Run Marathons
By Artist Caregiver. After moving his family cross-country to be closer to other relatives, this month’s diarist is balancing especially...







