The loudest reaction during both press screenings of Olivier Assayas’s The Wizard of the Kremlin at the Venice Film Festival happened before the film even began, as the Disney+ ident surprisingly popped up after your regular procession of European broadcasters and...
While Kelly reckons with his own personal failings – occasionally detailed in flashbacks filling out his path to stardom –...
This year Mike Flanagan, known best for turning horror’s greatest novels into palatable limited television series for Netflix, is switching...
Looking at his last four projects, it seems that Phoenix perfected his precise working formula – hyper-ambitious, complex-to-realise films from...
Something very bad happened to Agnes. It’s hinted at in the first segment of Sorry, Baby, when her best friend Lydie...
Hoping to resurrect her late grandmother, Júlia, Catarina Ruivo combines family archives with rich visuals in a non-fiction film which successfully...
A huge sigh releases from deep within Maria (Mirja Turestedt) as she is greeted by a mob of photographers and journalists...
If you’ve been to the cinema in the past few months, specifically to watch a horror film, you might have seen...
For many millennials and Gen Z cinephiles, Mark Waters’ Freaky Friday is a cornerstone of early 2000s cinema. The third adaptation of Mary...
A dispatch from a passionate grassroots project over in Finsbury Park. ‘Diversity’ and ‘inclusion’ have become corporate buzzwords, vibe-free boxes...
