Many of Migdalia’s plays, from the very early Miriam’s Flowers to Fishtank and Two Roberts in this volume, live in limbo lands, the “where do I go now” purgatory of life just after death. She is our bard of the...
Obviously, then, as a dramatization of my life, Strange/Familiar isn’t a straightforward autobiography. Instead, the play blurs personal history with...
There is a well-trotted story that Herman Melville, as he was writing Moby Dick from his study in the Berkshires,...
Build the Reason for the TripA good journey requires a good amount of planning, and each theatre organization I work...
In playwriting circles, there is a trend to announce on social media that “I got rejected by XYZ for the...
Nabra Nelson: Salam Alaikum, welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open...
Othello breaks my heart. Every. Single. Time.Unlike many—scholars, directors, actors—who have given up on the Moor of Venice, I find...
Thereafter, I got a job marketing theatre to the East African community. I thought, “I already spend so much time...
Being a Muslim and an artist are two things that go hand in hand for me. Becoming an artist has...
Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open...
