By Shereen Saif. Mrichchakatikam (The Little Clay Cart) is known globally, but it had never been performed in Koodiyattam until this year. Shereen Saif reflects on G. Source link...
By Sayda Trujillo, Madeline Sayet. How can voice work enable actors to access their widest range of expression? What happens...
By Jose Solís. Since 2020, the BIPOC Critics Lab has trained dozens of emerging critics in craft of criticism. Source...
By Ash Marinaccio, Baha Sadr, Chris Ackley, Ana Bess Moyer Bell, Eve Kerrigan, Noga Paulino. Ash Marinaccio speaks with the...
By Ash Marinaccio, Greg Pierotti, Cristiana Giordano. Ash Marinaccio takes a deep dive into how anthropology and theatre collide as...
By . A panel discussion on the role of arts and culture in the socio-political milieu of the Balkans. Source...
By Tomi Endter. Playwright Tomi Endter imagines a future fifty years from now when American theatre has finally centered Native...
By Madeline Easley. Madeline Easley details an experience working with the Wyandots of Kansas while writing a new play for...
By Tara Moses. Tara Moses introduces the series The Unspoken Treaty: The Pattern, Impact, and Disruption of Silencing Native Voices,...
By . A follow-up conversation between Carmen Morgan, Michael Robertson, and Alexis Green reflecting on the first two artEquity conversations...
