Obviously, then, as a dramatization of my life, Strange/Familiar isn’t a straightforward autobiography. Instead, the play blurs personal history with artful invention, even as the medium of theatre blurs the objective reality of live performance with the subjective impact of...
There is a well-trotted story that Herman Melville, as he was writing Moby Dick from his study in the Berkshires,...
Build the Reason for the TripA good journey requires a good amount of planning, and each theatre organization I work...
In playwriting circles, there is a trend to announce on social media that “I got rejected by XYZ for the...
Nabra Nelson: Salam Alaikum, welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open...
Othello breaks my heart. Every. Single. Time.Unlike many—scholars, directors, actors—who have given up on the Moor of Venice, I find...
Thereafter, I got a job marketing theatre to the East African community. I thought, “I already spend so much time...
Being a Muslim and an artist are two things that go hand in hand for me. Becoming an artist has...
Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open...
Over four days we created a concept that empowered inclusivity and unbounded creativity. It also allowed us, for a short...
